David Rooney -The Holywood Reporter
A punchy dance routine for multiple families of four opens After Yang, and it’s easily the most exhilarating sequence of its kind in a film about artificial intelligence since Oscar Isaac and Sonoya Mizuno’s sexy boogie in Ex Machina. But this contemplative, utterly transfixing second feature from the South Korean-born video essayist known as Kogonada could not be more different in tone.